Creating new performance software for digital artists

Background For the show at The Emporium I created a very simple circuit using Pure Data to perform the live mix (edit) of the film. I originally intended to expand on this circuit to make a more general tool for live digital media improvisation and for the generation of future installation work.  Unfortunately Pure Data … Continue reading

The shape of the performance

All images punctuating this post are stills from footage processed for the show at The Emporium. Background Back in the 1990s I performed a series of live film improvisations with Robert Johnson and Tony Woodhead under the name ‘Deconstructed Cinema’. This is the first time since then that I have felt it was correct to … Continue reading